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#1
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| Lesson 14 Maestro, I don't know if this is again a terminology difference, but when we speal of form, we mean: Binary Form Ternary Form Sonata Form Theme and Variations Form Arch Form 12-Bar Blues Form, etc. What you're listing is usually called "texture". Examples of textures are: Monophony Heterophony Homophony (of which Homorythm is a specialized subset) Polyphony, which is usually synonymous with Counterpoint, though Contrapuntal, Imitative, Canonic, and even Fugal are considered types of Polyphonic texture. A little more investigation might be in order. Supportively, Steve |
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#2
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| Re: Lesson 14 That part of the lesson is referring to style within forms. I wanted to give a brief overview on textures as some forms and textures are inevitably fused such as fugue and counterpoint and imitation and canon.
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#3
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| Re: Lesson 14 ![]()
So there's some overlap there, but Style generally does not refer to the "texture". Steve |
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#4
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| Re: Lesson 14 You bring up some good points. I think this is due to the opionionated nature that one can get into when writing these. Of course, if there was more than one person writing these, then it will be of great benefit as the material would become more solid, more rounded to the point. I'll work towards refining some of these lessons once i've got some more time on my hands. Thanks
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