| Re: Parallel and Augmented Intervals It all depends on the style of music you are writing. Some non-western scales have an augmented 2nd interval (think "Hungarian" for example). Parallel 5ths generally speaking leap out at one. If you want that effect, fine, but be careful to avoid them during "traditional" harmonizations. They can add a sound that is not quite right to the ear in some cases.
The tritone (augmented 4th) appears fairly frequently in modern music - even in more popular music from time to time. I think it was ecclesiatical theory that avoided it. It has its uses.
In summary, use whatever is appropriate for the style of music you are writing, but be aware of what you are doing. |