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#11
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| Re: I've Got The Rubato Fermata Time Signature Blues ![]()
The Piano piece was nice, and I think your performance and the notation go hand in hand. Nothing too out of the ordinary there. With the cello piece - it's often difficult with a slow piece like this - players tend to rush on average, and when a piece is slow, even more so. You have longish stints of "nothing going on" (something's going on of course, but I mean long note values on a solo line) so chances are, each player will be antsy to get to their next part. With something like this, I think you really need to hear someone play it live, and see if they interpret from the score as you do. It looks totally reasonable to me on paper (though you've got a few notation issues here and there) and your performance seems to be within the bound of interpretation of such notation to me. So it's a tougher call. I think anyone would interpret the piano piece very similarly to what you did - after all, it's a pretty common type of style. The cello duet though is not as noticeable any particular style - it has a few commonplace elements (like the sequence meaures, and the ending arpeggiando chords) but other than that, it's more of a "mood" piece in terms of it "unfolding" as you play it. So given that, I think players, not having "standard" elements to use previous experience upon, are somewhat more likely to deviate from your expectations, but given the overall style, I'd say not so much as to annoy you (unless they really sucked). Best, Steve |
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#12
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| Re: I've Got The Rubato Fermata Time Signature Blues ![]()
If I can ever get my daughter's video of her documentary on Tag Art, I'll match the video to the cello music so you can see my mind's image of this. Regards, Richard |
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