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#11
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#12
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| even worse If you get wah-wah, then it is just too much, now a gentle vibrato isn't that possible? |
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#13
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#14
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| I think that vibrato is like a good whiskey..............okay to sip but not for excessive consumption. |
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#15
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#16
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| Anyway my vibrato was excellant last night! |
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#17
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I find in the recordings that I have the string soloists whether they be cello, violin or sometimes even entire string sections in an orchestra, use excessive vibrato-especially on notes longer than about a quaver. I HATE IT!! It makes the instrument sound so WEAK!! If they played it straight (or maybe with a tiny little bit of vibrato) the instrument would sound so much stronger and bold! But I suppose there's not much you can do to change a recording and I can maybe understand how some people might like it... oh well I think a small amount of vibrato is atmospheric, but if you notice a performer's wide/slow vibrato then it's quite painful ![]() Well I'm glad I got that out of my system! ![]() |
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#18
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| well here is to getting some back in my system! |
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#19
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What is it you're listening to?Also, I can't stand over use of vibrato as a singer. I find that the more old fashioned the singer, the more they over-use it. I'm not saying a singer should sing all notes straight and pure (Of course this still depends on the music ) but just calm it down a bit! lol |
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#20
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I have a great recording of Debussy's Sonata for Violin and Piano (vague I know, but that's all it says on the track list!) where there is great use of vibrato-not heaps but enough for atmospheric purposes... I agree that singers should settle down with the vibrato but my mum tells me that that was the style, especially for Rococo and Baroque singing... ![]() Regards, Benny |